LOS ANGELES — Satirical maps have a powerful way of stereotyping the stereotypes people have. Which is why Bulgarian graphic designer Yank Tsvetkov’s map designs have a particular bite. His Mapping Stereotypes series claims to be “The Ultimate Bigot’s Calendar,” with perspectives of Europe and the world as seen by such varied entities as the Vatican and the United States.
I recently went to see the work of Regina Bogat at Art 101 in Williamsburg, Brooklyn. As documented in an interview with Hyperallergic’s Jillian Steinhauer earlier this month, the artist has been hanging around the NYC art establishment since the 1950s.
Recalling the age of the gentleman explorer in a place that still guards its worn relics, Mark Dion’s Phantoms of the Clark Expedition is an examination of the ambitions of early 20th century expeditions, as well as their arrogance.
Visit studios in Brooklyn, San Francisco, Detroit, Cloverdale, California, and New York.
LOS ANGELES — They fly over us everyday, photographing and documenting us with startling regularity. We’ve seen our homes and some of us have spotted our cars, but only rarely are we able to get enough detail that we can see ourselves. Bemysatellite.net, a new initiative from Los Angeles artist and designer Bora Shin, aims to tap into these satellites and create a living document of the people it photographs so regularly, starting with LA’s 10 million residents.
I’m skeptical of crowd-curating and crowd-sourced art-prize voting. I’ve written about it here on Hyperallergic. Still, as the date approached, I found myself really excited about this past weekend’s GO open studios event, organized by the Brooklyn Museum — not because I wanted to vote for who would win a show at the museum (I’m not voting), but because I wanted a chance to meet artists in the neighborhood where I live, Crown Heights.
When I visited JODI’s current exhibition, Street Digital, at the Museum of the Moving Image, I wondered how the notorious duo would take their earlier net art practices into the “street” (or gallery). Joan Heemskerk and Dirk Paesmans of JODI became well-known in the 1990s for upending traditional internet experiences with their online artworks. From wwwwwwwww.jodi.org to http://404.jodi.org/, they presented abstract code and programming glitches as art, bringing the background source of digital works into the foreground. Their work looked more like a crash of your web-browsing program rather than a coherent, readable text.
LONDON — If you’re looking for respite from the bacchanalian bustle of the Big Smoke at 20 degrees or just looking to punctuate those protracted bouts of sun-worshipping, don’t miss the following.
It’s just a typical day at Xindanwei (新单位), a coworking space with a name that means “New Work Unit” in Chinese. Downstairs, Patrick Jost of vvvv.org is giving a talk … On the second floor, the EF Life Club are leading a workshop on self actualization through art, … On the roof is a meeting of marketing gurus enjoying the summer air. And in between can be found mini-meetings in corners, in hallways, on the stairs. Founded by Liu Yan, Aaajiao (aka Xu Wenkai) and Chen Xu in 2009 as a coworking space, Xindanwei has quickly become the center of Shanghai’s burgeoning technology and art community.
If ever there was an argument for me to get over my fear of biking in Brooklyn, it was Saturday’s Brooklyn Open Studios, held in conjunction with the 2011 Celeste Prize exhibitions at the Invisible Dog. The 35 participating artists were sprawled across the borough, from Sunset Park to Bushwick and from Brooklyn Heights to Crown Heights, and I was trying to navigate it all by rail and foot, with some MTA weekend service changes thrown in to add some mental exercise to the physical.
I’ve been following the work of Loren Munk for years and had the pleasure of seeing the work currently on display at Lesley Heller in his studio years ago before most people even knew they existed. Today, Munk has been exhibiting regularly and developing a following for his map works that document art world scenes in New York and elsewhere. There is a frenzy of color in his paintings and the choices are obviously subjective (and rife with personal politics) but they are intense explosions of information carefully organized and constructed like a spider web in paint. I spoke to Munk about his latest show, Location, Location, Location, Mapping the New York Art World, on the Lower East Side that continues until this Sunday, October 16.
Today’s Curator Diary from Jason Andrew exposes the nuts and bolts of putting together an exhibition. Andrew works with an art handler to install pieces in the developing Jack Tworkov show, frets over catalogue corrections and reaches out to area artists and students. Curating isn’t all glamorous openings and swanning around with Marina Abramovic, after all.