An interview series spotlighting New York’s creative community. Hear directly from artists, curators, and art workers about their current projects and personal quirks.
Once artists leave Syria many find that international borders are closed to them as they try to build a professional and creative life in exile.
Donald Trump tries to reinvent another seminal Obama moment in his own image. But did it work?
In 2010, cartoonist Sarah Glidden embarked on a trip with two reporters to speak to refugees and make a book about how journalism works.
The Metropolitan Museum of Art and Brooklyn Museum have chosen to decline funding from the Saudi Misk Institue, and Columbia University has put its event with the Institute on pause.
A nationalist message from the head of the country’s biggest contemporary art fair stands in stark contrast to limits of expression on other segments of the Turkish art world.
Jim Lommasson shows the human side of impersonal statistics with photographs of the personal belongings that immigrants brought with them.
This week, surrealist photography, the new anti-semitism, fighting the corporatization of Burning Man, the monotony of contemporary architecture, Lagos’s art scene, and more.
The Museum of the Bible recently admitted all of its Dead Sea Scroll fragments are forgeries. But when fake antiquities are donated to museums, taxpayers lose.
Sama for All, founded by Souad Nanaa, is a nonprofit that trains displaced people for employment in French museums and cultural organizations.
Ten Turkish artists follow daguerreotypist Frédéric Auguste Antoine Goupil-Fesquet’s 180-year-old journey through the Eastern Mediterranean.
In the wake of Russian and regime-led airstrikes on the already abused Syrian city of Aleppo, I saw it again: the raised hand, a meme I had been obsessed by during the first street protests of spring 2011.