Khaled Al-Asaad was beheaded in 2015 after refusing to lead ISIS to ancient artifacts from Palmyra that he had hidden in a secure location.
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The Louvre Shouldn’t Exhibit Trafficked Antiquities from Libya and Syria
The museum forgets that it is already a violent graveyard of colonial-era cultural trophies removed from their homelands under dubious circumstances.
An American Photojournalist is Suing a Qatari Bank for Allegedly Aiding His Kidnappers in Syria
Matthew Schrier, who was captured by Al-Nusra Front in 2012, is accusing Qatar Islamic Bank of directly funding a charity that funneled money to terrorist groups in Syria.
New Palmyra Agreement Demonstrates Russia’s Continuing Soft Power Influence on Syria
The two countries signed a memorandum on the restoration of monuments and artifacts in the ancient city.
In New Jersey, an Unlikely Monument to the Syrian and Armenian Communities
Bryan Zanisnik’s “Silk Monument” features archival images to honor the contributions of Syrian and Armenian migrants who worked in New Jersey silk mills.
The Effects of September 11 Traumas, 20 Years Later
There is a debate whether the memory of Little Syria should be seized upon to tell truthful and positive stories about Arabs in the US, or whether any conflation between its history and contemporary politics is inappropriate.
Forensic Architecture Joins Journalists to Depict Syria’s Use of Chemical Weapons
Investigative journalism website Bellingcat, with the help of research group Forensic Architecture, seeks to put an end to the theories that the harrowing chemical attack against civilians in April 2017 was a “false-flag operation.”
An Oscar Nominee May Be Unable to Attend the Ceremony Due to Trump’s Travel Ban
Syrian director Feras Fayyad, whose film The Cave is nominated for Best Documentary Feature, is the latest high-profile artist experiencing visa troubles.
The Life and Times of War Reporter Robert Fisk
If you want a great primer on Fisk, who recently passed away, look to the documentary This is Not a Movie.
The Getty Revisits Ancient Palmyra, but the Modern City Is Mostly Invisible
Life in Palmyra did not stop in the third century but has gone on more or less continuously at the site for the 1,700 years since.
Capturing the Syrian War From a Woman’s Perspective
For Sama directors Waad al-Kateab and Edward Watts talk to Hyperallergic about turning al-Kateab’s many hours of personal footage into a documentary.
First US Museum Show by Irish Artist Brian Maguire Opens at the Missoula Art Museum
Brian Maguire: In the Light of Conscience is a cross-section of the artist’s major series, which tackle human rights atrocities and conflicts.