The Jewish Museum’s The Power of Pictures: Early Soviet Photography, Early Soviet Film examines the beginnings of Soviet Russia, positing that the period from 1921 to 1932 was one of avant-garde artistic experimentation, a time when photographers and filmmakers (many of them Jewish) imagined their craft to be as radical as the social changes it reflected.
It’s been over twenty years since we’ve seen Joel Perlman’s large-scale sculptures on exhibition in New York City. The size and weight of his mighty works in welded steel can be a challenge to show, but Loretta Howard Gallery has pulled out all the stops rigging in five new large-scale works (four in welded steel and one in aluminum).
If someone were to tell me that I’d have to walk for an hour and a half down a number of unknown streets in the southern part of central Moscow to get from the main building of the State Tretyakov Gallery at 10 Lavrushinsky Lane to its 20th-century counterpart at 10 Krymsky Val, I’d still do it again in a heartbeat. That’s because the Tretyakov Gallery at 10 Krymsky Val houses what is arguably the best collection of 20th-century Russian art I have ever seen.