The Guggenheim Museum’s Art and China after 1989: Theater of the World presents the conceptual and performance practices that brought Chinese artists into the discourse of global contemporary art.
alexandra Munroe
Japan, in from the Wilderness: Reiko Tomii’s Expanded Modern-Art History
The Japanese-born art historian Reiko Tomii is one of those researchers who is both passionate about her subjects and recognized among her peers for her meticulous mapping of the cultural-intellectual terrain from which they emerge.
The Alchemical Art Innovators of Postwar Japan
Fifteen years in the making, the current Guggenheim exhibition on Gutai presents a groundbreaking spectrum of the art of that group, shaking to its core the notion of the West as the epicenter of contemporary art practices. The show, curated by Ming Tiampo, associate professor of art history at Carlton University, Ottawa, and Alexandra Munroe, senior curator of Asian art at the museum, is titled Gutai: Splendid Playground, an odd sobriquet to describe the annihilating force that birthed the group in postwar Japan.