Fighting the Western perception of Iran as a hostile war zone, Mohammed Afkhami began collecting artworks by Iranian artists to highlight the country’s rich cultural production.
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Fighting the Western perception of Iran as a hostile war zone, Mohammed Afkhami began collecting artworks by Iranian artists to highlight the country’s rich cultural production.
By interacting with Eloïse Bonneviot and Anne de Boer’s spatial installation in Prague, viewers create speculative scenarios for an ecologically aware city.