After sitting in storage space, the Metropolitan Museum of Art’s thousands of 35-millimeter slides found a new home at the Department of Cultural Affairs’s reuse center, Material for the Arts.
The group exhibition Memory Burn at bitforms gallery, curated by Chris Romero, explores the devices we use to record our lives as we confront mortality and death.
It was a beautiful day last Saturday and I took the opportunity to wander the post-industrial warehouses of north Brooklyn with the mission to explore the studios taking part in the 2010 Greenpoint Open Studios. During my afternoon of wandering I only managed to visit 30% of the studios but I, nonetheless, saw a great range of work that gave me a feel for the area — painters appear to dominate the artistic life of this corner of Brooklyn.
While I came eager to see new work by new names, I also encountered some established figures, and I even came across a large white work by artist Joe Bradley leaned up against a wall — the work was on its way to the New Jersey Museum of Contemporary Art (NJMoCA) in Asbury Park, New Jersey, which is slated to open this month. During my visit to one sculptor’s studio, Stacy Fisher, I was told that recently the world-renowned playwright Edward Albee — of “Who’s Afraid of Virginia Woolf?” fame — showed up a few weeks earlier to buy one of her Hydrocal, wood, hardware and latex paint sculptures … a sign of things to come for this neighborhood with infamously bad public transportation options?