Whitechapel Gallery and the MIT Press recently published Queer, the latest addition to Documents of Contemporary Art, a popular series of anthologies on major themes and ideas in contemporary art.
Arthur Danto’s best-known essay, “The End of Art,” continues to be cited more than it is understood. What was Danto’s argument? Is art really over? And if so, what are the implications for art history and art-making?
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. Her new book takes it a step further.