It’s obvious that Jason Andrew and Deborah Brown don’t like to sit around waiting for things to happen, which may explain why they have become cornerstones in Bushwick, Brooklyn’s art scene. Andrew is the driving force behind Norte Maar, an apartment cultural space on Wyckoff Avenue that has played host to some impressive visual arts, musical and performance shows over the past five years, while Brown helped organize the first Bushwick Open Studios and sits on local Community Board #4 as a constant cheerleader for all things culture and Bushwick. The two have joined forces to create Storefront gallery with the mission to promote emerging Bushwick artists and to revisit the work of established talents.
Since learning of Shaquille O’Neal’s curating gig with Flag Art Foundation, among other dubious projects announced last year, I have found myself returning to Eva Diaz’s piece “Whither Curatorial Studies?” from last February, in which she weighed the teachings of curatorial degree programs against the realities of the profession. Does this “pedagogical cottage industry” adequately prepare its students for the real world of curating?
It’s been a hell of a decade and the aughts have come to a close. We asked people to chime in about what they loved and hated about the last ten years, including, Karen Wilkin, Johanna Fassl, Ruba Katrib, Gary Panter, William Powhida, Barry Hoggard & James Wagner, Lyra Kilston, and Will Heath.
Performance artist Man Bartlett is tired, has blood shot eyes and he’s doing something very American, shopping. His mission is to spend 24 hours in Union Square’s Best Buy megastore without buying anything. His biggest obstacles are sleep, security and the urge to buy shit. Will he make it?
Here is an extravaganza of slideshows from the big cross section of 7 art fairs and one private museum show I attended while in Miami and haven’t written about yet. Enjoy the journey into the dark corners of the Miami fairs.
When you endlessly wander art fairs for days on end you start dreaming up awards and when you write for a blogazine you publish them … here they are for your amusement.
In an attempt to answer the age-old question — Is it art or home decor? — I perused the halls of Art Basel Miami to see how galleries are serving the lifestyle needs of the rich and famous.
In the belly of the art market beast, Hrag is wandering Miami in search of the ultimate art fair experience. First up is the landmark Art Basel fair in South Beach.
It has been 20 years since the fall of the Berlin Wall and the popularized images of people cheering and celebrating in front of the greatest symbol of the Cold Wall tells only part of the story, says Daniel Larkin. The day after was filled with more anxiety than recent media narratives would have you believe.
An Xiao organized a 40th Anniversary tribute to Vito Acconci’s “Following Piece” (1969) for @Platea, the social media art collective she performs with. She likes to call what she did a form of “cover art” and she explains why.
A few weeks ago Art Review announced the Top 100 power brokers in the art world but we thought they missed the real story. So Hyperallergic has released its own list of the people who have never received their moment in the sun.
We present the Top 20 Most Powerless People in the Art World!
In an age of DIY transformations, Etsy domination and artisanal homemade chocolates sold at hip flea markets, is CRAFT still a dirty word? Brooklynite Amy Shaw reflects on her years of experience in the field and thinks about the world of craft in general.
When I was growing up amidst potters, carpenters, artists and furniture makers in 1970/80s New Hampshire, the highlight of my summer was always the craft fairs my Mom organized. Running around with friends through the apple orchard, admiring the baskets and chairs and vases artisans displayed on their tables under the trees, feasting on handmade lollipops and bread and strawberry rhubarb pie — this was the essence of the good life to my young self, and I saved up money all summer to buy handmade stuffed animals and hand-printed stationary. This love stayed with me through college, where sections on the decorative arts were my favorite topic in art history classes. (Wherever that word went is another question.)