The indicators that I would become an artist weren’t about drawing talent; they were about knowing I was special.
The Playground Project explores an era of artistic play.
Before the frustration and jadedness come, before galleries and museums and auction houses, before art history exams and conceptual art and identity politics, there is the simple joy of making art.
What might children’s drawings look like in an internet age? Photographer Yoni Lefévre’s Grey Power series reimagines children’s drawings as photos.
The 1920s in Russia weren’t exactly what people had hoped they would be. After the 1917 Russian Revolution brought down the old regime and the Soviets took over, there was a swelling sense of hope in a potential egalitarian Communist future. Yet only a few years later, censorship was curtailing art and free expression. Fortunately, no one was paying much attention to the children’s books.
This week’s Work of Art begins with a staple of Bravo reality competition shows: children and foreboding music. Ah yes, this is the week our artistes must show that they can handle the youngins. But then, another surprise! OMG IT’S CARRIE BRADSHAW. She gives them their challenge: the artists have to make a piece complimenting work of the children brought in. And so the exploitation of children begins.
The Bay Area is full of artistic hypocrisy this month. On one side of the San Francisco Bay, two commissions by artist Tom Otterness are on hold because of a tasteless art video he did in the 1970s, and on the other side of the same bay, a Palestinian children’s art show is cancelled because it pisses off a small faction of right-wing political activists.
Pressure from some Bay Area Jewish groups and others have pushed the Museum of Children’s Art (MOCHA) in Oakland, California, to cancel A Child’s View from Gaza, which is an exhibition featuring 50 art works by Palestinian children aged 9 to 11.