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Posted inArt

The End of the World as We Know It

Radiator Arts continues to energize the Long Island City art community. Its mission of showcasing new and emerging artists and curators makes for a remarkably varied program from show to show, but the installations are always topical to a particular theme. Their new exhibit, curated by painter and writer Alan Lupiani, is a heady mix that will leave you ruminating about the state of the U.S. and the world at large. Titled So Real, a contraction of both social realism and Socialist Realism, the exhibit ponders the inherent paradoxes and unlikely commonalities of these two artistic realms.

Posted inArt

The Next New Thing? 2010 Greenpoint Open Studios

It was a beautiful day last Saturday and I took the opportunity to wander the post-industrial warehouses of north Brooklyn with the mission to explore the studios taking part in the 2010 Greenpoint Open Studios. During my afternoon of wandering I only managed to visit 30% of the studios but I, nonetheless, saw a great range of work that gave me a feel for the area — painters appear to dominate the artistic life of this corner of Brooklyn.

While I came eager to see new work by new names, I also encountered some established figures, and I even came across a large white work by artist Joe Bradley leaned up against a wall — the work was on its way to the New Jersey Museum of Contemporary Art (NJMoCA) in Asbury Park, New Jersey, which is slated to open this month. During my visit to one sculptor’s studio, Stacy Fisher, I was told that recently the world-renowned playwright Edward Albee — of “Who’s Afraid of Virginia Woolf?” fame — showed up a few weeks earlier to buy one of her Hydrocal, wood, hardware and latex paint sculptures … a sign of things to come for this neighborhood with infamously bad public transportation options?