The insane, or seemingly insane, have constituted a good chunk of “outsider art” since the term’s inception, so it’s no surprise that When the Stars Begin to Fall: Imagination and the American South, now in the last week of its run at the Studio Museum in Harlem, includes a few of them.
There is a lot to say about Deborah Grant’s installation at the Drawing Center, Christ You Know it Ain’t Easy!!, which was curated by Claire Gilman. What is so delicious about it is that at some point you will not be sure whether any of narratives you’ve applied to the work makes sense.
Tonight’s invite-only symposium organized by The Drawing Center invited five artists and two curators to explore the state of drawing today. Here’s my report.