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Posted inArt

The Lifecycle of an Indie Film Project: Making El Cadáver Exquisito

When director Victor Ruano was a teenager, he wanted to make a movie that could reflect in time, sound and images what that still painting said to him. In his mind, it stood as a description of certain aspects of his society and the country of El Salvador. He would dare to say, that in a sense El Cadáver Exquisito is that painting at 24 frames per second. This image is superimposed onto a billboard in the beginning of the film and serves as a kind of table of contents of what is to come. It stands as a form of dialogue in time, between generations, and through conflicts.