Şebnem Coşkun is among the winners of the Nature Conservancy’s 2021 photo contest, featuring images of landscape, wildlife, people, and water.
This group show proposes fresh paradigms of land ownership and art making in contrast to the rugged individualism of much early Land Art.
Speculations about climate change by an array of artists feel eerily probable, if not already real.
Employing drones, Mosse creates psychedelic aerial maps of ecological degradation.
Fernández employs motifs of darkness and obscurity to hint at the something beyond what we see.
Mattingly’s landscape photographs evoke each site’s geologic timeline.
ecofeminism(s) at Thomas Erben Gallery offers an urgent reminder of our present climate and human rights emergencies. Likewise, the works featured imply that another world is, and has always been, possible.
How do we experience eco-art online and what might it suggest about the nature of the digital gallery experience?
No matter how much one knows about the artist or mycology, John Cage: A Mycological Foray surprises with its ode to continuous wonder.
After the pandemic pushed back their exhibition, two curators teamed up to develop The Botanical Mind Online a new platform that makes effective use of parallels between plant communication and the internet.
Sarah Rothberg and Marina Zurkow reveal water’s unearthliness.
At the Aldrich Contemporary Art Museum, artworks confront their own untimeliness through appeals to a deeper, more cosmic, sense of space and time.