Post-colonial studies, the legacy of 19th and 20th century colonialism and imperialism, a hit on the academic circuit, underlies the raisone d’etre of the New Museum’s Triennale, The Ungovernables, the second Triennial devoted to global contemporary art. Artists are presented as “actors in the world around them rather than commentators,” and portrayed as “negatively ungovernable.” The show’s emphasis on a series of global “urgencies” casts a wide net focusing more on the message than the medium, which is both the show’s strength and its undoing.
SAN FRANCISCO — With all this extra time to daydream about the perfect relationship, I’ve composed a list of the top 10 art world figures I’d like to do the nasty with. Some are expected, some are not. Some are for social climbing purposes, some are not. But really, all are for love.