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Posted inArt

Gods and Monsters: Cubism at the Met

“To a new world of gods and monsters” is the promethean pledge from one mad scientist to another in James Whale’s classic Bride of Frankenstein (1935), but it’s easy to imagine the same toast echoing from a Montmartre studio in 1909 as Pablo Picasso and Georges Braque raise a glass to the fractured new reality they’d uncovered.

Posted inArt

Pop Goes the Easel: Roy Lichtenstein’s Retrospective

CHICAGO — The Roy Lichtenstein exhibition at the Art Institute of Chicago (AIC) is everything a retrospective should be. It takes an incontrovertibly significant artist, assembles art from all phases of his career, includes well-known and less well-known works and tries to make the case for an oeuvre, as opposed to a succession of unconnected objects. If you like Lichtenstein’s work, you will love this show.

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