Cuttoli recruited artists like Picasso and Man Ray to design textiles for her workshops in Algeria and shop in Paris, bringing Modernism to a broader audience in the early 20th century.
Léger’s sophisticated, imaginative examinations of the machine aesthetic coincided with one of history’s most fraught technological periods.
A major retrospective of the French artist’s work at the Centre Pompidou-Metz highlights how he anticipated the accelerating mechanization of human life.
“To a new world of gods and monsters” is the promethean pledge from one mad scientist to another in James Whale’s classic Bride of Frankenstein (1935), but it’s easy to imagine the same toast echoing from a Montmartre studio in 1909 as Pablo Picasso and Georges Braque raise a glass to the fractured new reality they’d uncovered.
The Metropolitan Museum of Art announced that Leonard A. Lauder has made a major donation of Cubist art that will transform New York’s largest museum into a major center for Cubist art. The pledged gift is comprised of 78 works, including 33 works by Pablo Picasso, 17 by Georges Braque, 14 by Juan Gris, and 14 by Fernand Léger.
CHICAGO — The Roy Lichtenstein exhibition at the Art Institute of Chicago (AIC) is everything a retrospective should be. It takes an incontrovertibly significant artist, assembles art from all phases of his career, includes well-known and less well-known works and tries to make the case for an oeuvre, as opposed to a succession of unconnected objects. If you like Lichtenstein’s work, you will love this show.