The Terrestrial Trilogy shows how we can — and perhaps cannot — talk about pressing human and environmental emergencies.
When supply chains and funding fall short, theatre does too.
African scholars Felwine Sarr and Dorcy Rugamba seek to answer this question with the musical theatre performance Freedom, I’ll have lived your dream until the very last day.
There are tensions between those who wish to preserve the nature of shadow play and those who want to see it evolve.
The art form continues to survive the return of in-person theatre, but maker-performers struggle with a lack of institutional support.
With cardboard paintings, Omar Ba honors African cultures and challenges the Eurocentric view of history.
Traces — Speech to African Nations is a spoken word piece with music written by the acclaimed Senegalese scholar and performed by the Burkinabé actor Étienne Minoungou.
Through their music, artists like Ginni Mahi and The Casteless Collective have protested the ways Dalits have been maltreated and marginalized in Hindu culture, often called “untouchables.”
In its best moments, Radio Live made the world feel smaller with rich vignettes from lives we might have little intimate access to.
Memory is directly linked to our sense of smell. That’s why Cyril Teste chose to engage the audience’s noses in directing Opening Night at the Crossing the Line festival.
With climate change an undeniable threat, will arts festivals have to reassess their reliance on air travel?
This boldly minimalist production — a co-presentation of FIAF’s Crossing the Line festival, the Invisible Dog Art Center, and The Cooper Union directed by Fanny de Chaillé — revisits a text written for times of upheaval.