Frieze is offering free browsing for the first time and an app that allows you to imagine artworks inside your home. The director of Frieze New York, Loring Randolph, elaborates on these features and more in an interview with Hyperallergic.
As exterior life shuts temporarily down, Funny Weather: Art in an Emergency is a useful reminder that connection can be intellectual as well as physical.
Your guide to a weeklong cavalcade of openings, performances, talks, and events, anchored by the titular fair.
New themed sections focusing on overlooked and under-represented artists save the fair from the crushing boredom of normal blue-chip dealership.
Check out Hyperallergic’s guide to the art fairs of Frieze Week in New York.
Gretchen Andrew has ensured that her images will top the Google image search results for “Frieze Los Angeles.”
The story of this essay, its rejection by the artist and her gallery, and by Aperture and Frieze raise critical questions about the relationship between living artists and critical mechanisms for evaluating their work.
As part of the frenzy of Frieze Week, Zürcher Gallery is hosting Salon Zürcher, a more intimate fair featuring both emerging and established artists.
Mazes abound as a visual motif at the Flux Art Fair.
After two years of protest, Frieze New York, the American offshoot of the London fair launched by the founders of the British magazine Frieze 11 years ago, will be employing union labor — in part this year and in full in 2015 and 2016.
The first New York iteration of the Frieze art fair, which is slated to take place May 4–7, 2012, will touch down ib Randall’s Island Park at the intersection of Manhattan, The Bronx and Queens. The fair will be housed in a structure designed by Brooklyn-based SO-IL Architects.
In his final column for Frieze, writer, painter and star curator Robert Storr calls art writers (himself included) “bottom feeders,” and constructs an elaborate metaphor for writers as the “squid” of the art world — swimming in their own ink. This is the “cruel, Darwinian truth,” says Storr, yet the goodbye column is also a note of support for writers and writing.