Gabriela Salazar

I approached the massive GO Brooklyn open studios event, which was organized by the Brooklyn Museum, with some hesitation. I was unsure about the sinking feeling I had that the Brooklyn Museum may be trying to co-opt the borough’s massive visual arts scene in order to give it a much needed PR boost. Why did Brooklyn’s premiere fine arts museum need to consolidate this DIY tradition into open studio sprawl? Adding to my trepidation was the notion of checking-in and voting that made the whole affair seem more competitive and trendy.