A giant outdoor sculpture created by Gaetano Pesce as a critique of violence against women has angered Italian demonstrators in Milan, who say it actually perpetuates violence against women.
Gaetano Pesce
Photos from the 54th Venice Biennale, Part 2
More images from the world’s oldest and largest art biennial event, the Venice Biennale, including photos from the François Pinault Foundation, the French, Haitian, Danish, Swedish, Swiss and the Venezuelan pavilions.
Photos from the 54th Venice Biennale, Part 1
The voluminousness of the Venice Biennale can be overwhelming, much like the city of Venice itself. Talking with Venetian friends, I heard the city described as a “creature,” a labyrinthine monster that will suffocate you if you don’t know how to find the campos, or other open-air spaces where you can stretch out and breathe. Inhabited by more tourists than actual residents, the city is shaped by the pre-conceived notions of its visitors; in short, Venice is a place that does not fully exist. The same feeling follows you into the exhibitions of the Biennale.