Last summer, at The Afrika Bambaataa Master of Records Vinyl Archive at Gavin Brown’s Enterprise, New Yorkers had the unprecedented opportunity to participate in the cataloging of one of the world’s most historically significant record archives. Currently on view at 80WSE Gallery, the exhibition DEVOTION: Excavating Bob Mizer mines photographer Bob Mizer’s massive personal collection of negatives, documents, props and costumes.
The Art Show has been hosted by the Art Dealers Association of America (ADAA) for the last 23 years, reigning supreme as the longest running national art fair. The ADAA consists of 175 galleries but only seventy exhibitors enrolled this year, excluding stunners like Andrea Rosen, Betty Cunningham, PPOW and Gavin Brown. A large majority of the participants are located uptown between 50th Street and 90th Street. The generalized content (“cutting-edge, 21st century works” and “museum quality pieces from the 19th and 20th centuries”) and my fears of dated academia prepped me for the deflated viewing that was The Art Show. The ADAA’s Executive Director spoke to the “calm and intimate atmosphere” of The Art Show. Although the Park Avenue Armory’s soaring “balloon shed” construction is partially responsible, the cavalcade of elderly patrons weren’t exactly rambunctious. The air-kisses exchanged between crotchety senior citizens summoned a swinger’s club way past its prime.