The Getty Research Institute launched a website that allows you to hop in a vintage car and travel along the boulevard between 1965 and 2007.
The story behind the rise and decline of the popularity of the black magus during the Renaissance has been largely forgotten, but at one time, the tale was used to explain the perceived need for conversion to Christianity, the three ages of man, as well as emerging theories of race.
A first look at Solange’s upcoming performance “Bridge-s,” which will be paired with a curated series of short films and talks at the Getty this weekend.
Bauhaus Beginnings succeeds in reanimating the dialogue that began in the school’s classrooms and hallways, and in following it, as it spilled out into the streets of a country.
A group of artists will stage performances and interventions at the Getty Center inspired by its exhibition, The Wondrous Cosmos in Medieval Manuscripts.
An exhibition at the Getty Center serves to rectify a century of oversight by highlighting Rejlander’s many innovations.
Jones discusses the role that performance played in the work of Latin American and African American artists.
Friday Flights kick off with a group of works that respond to and animate the Getty’s architecture and landscape.
In order to make large portraits of European elites, artists had to literally piece together pieces of paper, circumventing the limitations of their medium.
From an exhibition about the first superstar curator to Pacific Standard Time’s performance festival, there’s strong work aplenty on the horizon.
The Skirball fire has consumed over 150 acres and is burning “directly across the freeway” from the Getty Museum, according to a spokesperson.
This year, the Getty initiative known as Pacific Standard Time has focused on the very broad categories of Latino and Latin American art. How we talk about these categories matters.