A traditional 19th-century Sioux warrior shirt in the Brooklyn Museum’s current Tipi: Heritage of the Great Plains exhibit is made from buckskin, decorated with green and red pigment, hair, feather, fiber and a white and red beaded bear claw motif. Like all Plains war shirts, it could only be worn by males after acts of bravery in battle.
Exhibited just a few feet away, Northern Cheyenne contemporary artist Bently Spang’s “War Shirt #3, The Great Divide” (2006) is made out of photographs, photographic film, sinew, velvet and found objects such as the compact disc pinned on the shirt’s center like a decorative medallion or amulet. Its arms are outstretched through a white plastic stand in the form of a “t” and two tiny white plastic toy horses flank either side of its base. Like the traditional Sioux shirt, Spang’s is now ensconced in a glass case but it has never been — nor will it ever be — worn.