Amid a phalanx of black-clad attendants, security, and ushers, the Guggenheim Museum welcomed guests to its annual International Gala. But not all who landed at the November 6 event were invited.
The Solomon R. Guggenheim Museum will be adding a second location in New York, the Art Newspaper reported. A job listing on the Guggenheim’s website containing all the information mentioned in the report seems to be the source.
An extensive report in the New York Times today dives into the Guggenheim’s longstanding bid for a franchise in the Finnish capital of Helsinki, detailing the rocky reception to the project since it was first proposed in 2011.
This year, Carrie Mae Weems gets the distinctive honor of becoming the first African-American woman to have a retrospective at the Guggenheim — her first major exhibition at any New York museum, ever. It’s one of those honors that sits at an awkward intersection, both disappointing and profound.
Browsing the early websites of major art museums makes for an entertaining exercise.
Some museums just aren’t meant to be. For reasons of being too complicated, expensive, or just too out there to exist, many architects’ plans for museums have been unrealized.
With summer sweltering and those high air conditioning bills to pay, you’re melting quickly and not made of money. Why not watch some free online art programming to ease your eyes? Here are eight web series available from your internet device.
What is it about the personal collection on display that is so appealing, so instantly resonant? Danh Vo, the artist best known for his conceptual sculpture series We the People (detail), has presented in the exhibition I M U U R 2 some 4,000 objects from the home of Martin Wong.
The Guggenheim just announced that with the help of the Robert H. N. Ho Foundation, the museum will greatly expand its engagement with Chinese art and artists.
Danh Vo is a Danish-Vietnamese artist who uses his international background to create poetic sculptures and installations that probe issues of identity and cultural heritage. For “We the People,” the artist turned the Statue of Liberty into 400 separate fragments, manufactured in Shanghai and distributed all over the world.
Zarina’s prints, created with woodcuts on handmade Indian paper, bring to mind for me worn-down maps. That comparison makes sense given the artist’s own meandering background; Zarina Hashmi (her full name) was born in Aligarh, India, and learned her craft in Bangkok, Paris, and Tokyo before settling in New York. In association with her ongoing retrospective, the artist will talk about her wide-ranging aesthetic vocabulary at the Guggenheim on Friday, March 1 at 6:30 PM, with a viewing and reception to follow..
Contemporary art is a resolutely global affair, but it can be difficult to learn about international art scenes without a big travel budget. On Tuesday, February 26, at 6:30 pm, Reem Fadda, Associate Curator of Middle Eastern Art at the Guggenheim Abu Dhabi Project, will explore the contemporary history of the United Arab Emirates art scene in a lecture at the museum, “The Contemporary History of the UAE Art Scene.”