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Posted inArt

Abstraction Dominates at MoMA’s “On Line”

The Museum of Modern Art’s exhibition On Line: Drawing Through the Twentieth Century purports to display “the radical transformation of the medium of drawing throughout the twentieth century,” but what the genre retrospective really does is to narrow the definition of “drawing” considerably, limiting works not by medium but by execution: almost every work in the show is non-objective. This festival of the abstract is visually impressive but conceptually lacking. Shouldn’t any century-long survey of drawing include some less academically austere work?