Lincoln Kirstein’s Modern takes a close look at a period when patriotism was distinct from nationalism, populism did not equal demagoguery, and left-wing radicalism was the coin of the aesthetic realm.
Familiar Names but Unexpected Finds at the ADAA Art Show
There’s often no rhyme or reason to the selection of art in individual booths at fairs — other than, of course, a gallery’s aim to sell well.
The Triumph of Revisionism: The Whitney’s American Century
With America Is Hard to See, the exhibition inaugurating its luminous new Renzo Piano building, the Whitney has reclaimed its role among the city’s museums as the engine of the new.