Blake currently serves as chair of the ICP-Bard Program in Advanced Photographic Studies.
ICP
Posted inNews
Community Calls on ICP to Set Ethical Guidelines for Protest Photography
Noah Morrison, founding member of ICP Center Blackness Now, says the International Center of Photography’s response to their efforts has been superficial.
Posted inArt
Viral Meme Culture at the International Center of Photography
Tonight, Jillian Steinhauer will be in conversation with Jason Eppink and Andrew Kuo to discuss memes, GIFs, and digital culture at the ICP.
Posted inArt
When Our Heroes Die and We Publicly Mourn Them
The photographs of both Paul Fusco and Rein Jelle Terpstra explore what happens when a public figure, upon whom has been thrust the hope of millions, disappears.
Posted inArt
New York’s Venerable Camera Club Reboots for the 21st Century
Founded in 1884, the Camera Club of New York (CCNY) is one of the oldest arts institutions in the city, and in the past couple of years it is enjoying a kind of revival under a new name, Baxter Street at the CCNY.
Posted inArt
Photojournalist Steve McCurry’s Romanticized Visions of India
American Magnum photographer Steve McCurry, best known for his 1984 photograph of an Afghan refugee with piercing green eyes (Sharbat Gula), is one of the most celebrated photojournalists of our time.
Posted inArt
Ahead of World Cup, Brazilian Art Flourishes in NYC
There may never have been a better month to see Brazilian art in New York. Last weekend, Frieze brought a taste of São Paulo art galleries Casa Triângulo, Fortes Vilaça, Mendes Wood, Vermelho, and Jaqueline Martins, as well as Rio de Janeiro’s A Gentil Carioca, to Manhattan.
Posted inArt
USA and the Other
“Wow your accent sounds so amazing,” is a phrase I often hear when people detect my South African accent. Whereas this is usually a compliment — and I accept it graciously — it can also have the effect of creating a distance between me and the other person if they aren’t South African. In short, it can often clarify that they belong to this place and I am an alien in their territory. But as pop star Sting’s pithy “legal alien” phrase comes to mind I quickly snap out of my self-imposed victimization. Of late, however, it has been quite obvious that the art world still propagates a fascination with the “other.”
Posted inArt
Murder Is Weegee’s Business
“Everybody ought to go careful in a city like this,” Joseph Cotten’s character Holly Martins is warned in The Third Man, the classic 1949 film noir that takes place in a war fractured Vienna. The line came into my head while viewing the photographs in Weegee: Murder is My Business at the International Center of Photography (ICP), where corpse after splayed corpse was flashbulb lit on the New York streets, crowds watching in curiousity or strange amusement while lantern-jawed police officers and a fedora-wearing photographer analyzed the scene.
