A chance meeting on the subway introduced photographer Francesca Magnani to the multicultural world of Brooklyn milliner Richard Faison.
The Artist Dissecting the Ties Between the American Christian Right and Israel
Tali Keren’s work interrogates the insidious imbrications of religious, political, and military institutions across the United States and Israel.
Dread Scott’s Visual Ballad to Nina Simone
The artist talks to Hyperallergic ahead of his New York exhibition Goddam.
I Was a Museum’s Black Lives Matter Hire
“You think you’ve been hired because you’re the right person. But once you’re inside, you realize you’re not the right fit,” says curator eunice bélidor.
A Body of Work Inspired by One Hip Replacement
“It was my way of working through what had happened inside my body,” Santa Fe artist Christine Cassano tells Hyperallergic.
One-on-One With Cyclona
Robert Legorreta, also known as “Cyclona,” discusses the origins of his performance art and ongoing political activism.
Todd Haynes Discusses New Velvet Underground Doc
The director sat with Hyperallergic for a conversation about the making of his new film The Velvet Underground.
Guglielmo Castelli the Melancholic Painter
The Italian artist speaks with Hyperallergic about his home city of Turin, the loneliness of his characters, and more.
Tsai Ming-liang’s “Slow Cinema” Contrasts the Bustle of Modern Life
Tsai’s style is the opposite of boring; in demanding the viewer’s attention, he allows for incredible moments of human connection and discovery.
Talking Sex Work With Pussy Riot’s Nadya Tolokonnikova
Hyperallergic sat down with the Russian feminist icon for a conversation about art, activism, and how they converge in her OnlyFans sex work.
Sandra Payne’s Bling Manifesto
The unabashedly feminine oeuvre of the collagist, sculptor, and conceptual artist is a smorgasbord of shimmer and sequin, a bling manifesto for the senses.
The Happily Haunted Cinema of Guy Maddin
The twilight state between dreaming and waking that permeates a restoration of Maddin’s Tales from the Gimli Hospital echoes that of life and death in his films.