A conversation with Richard Kraft about his artist book in which he created penalty flags for nearly 10,000 of Trump’s misdeeds.
Hyperallergic speaks to Maya Cade, creator of the Black Film Archive, about showcasing an “abundance of Blackness across time.”
“I think addiction is a part of life. We get addicted to things in ways that each have pros and cons.”
Hyperallergic speaks to director Robert Greene and three survivors of sexual abuse by Catholic priests about their new film Procession.
Hyperallergic speaks to organizers behind Queer Cinema for Palestine, a global alternative event to the Israeli-government-supported Tel Aviv International LGBT Film Festival.
Jane Schoenbrun talks to Hyperallergic about We’re All Going to the World’s Fair and making the internet cinematic.
“I am trying to keep the immediacy of my emotional experience while I’m painting.”
Filmmakers Betsy West and Julie Cohen talk to Hyperallergic about Murray’s archives and holding themselves accountable as white women biographing a Black figure.
Saar’s irreverent paintings of dolls from her collection celebrate the catharsis she found in play.
Ebs Burnough’s documentary The Capote Tapes uses hundreds of hours of newly discovered interviews about the infamous author to take a deeper look at his life.
The filmmaker tells Hyperallergic how she spent over four years within Chicago’s movement for Black lives making the documentary Unapologetic.
“If a painting doesn’t have the right seasoning, it has to wait.”