For years, Eye Filmmuseum’s Jan Bot has turned film fragments into digital experimental shorts. Now, with the project ending, those shorts will be archived via NFT.
Run entirely by volunteers, Interference Archive is a true alternative to the city’s market-driven gallery scene.
Hyperallergic talks to historian Isaac Butler and curator Livia Bloom Ingram about how performance technique evolves and what is and isn’t method acting.
Hyperallergic talks to programmers Róisín Tapponi and Jed Rapfogel about their Anthology Film Archives retrospective and formative erotic film experiences.
The acclaimed composer and noise artist talks to Hyperallergic about his Pulitzer Prize-winning composition “Voiceless Mass.”
Despite the fact that Lees works on paintings for as long as 30 years, they don’t appear overly precious. Instead, they seem human and vulnerable.
We spoke with three public school art teachers from the Movement of Rank-and-File Educators (MORE) on their efforts to reform New York’s largest teachers’ union.
Her short film Freshwater is now playing at the Museum of Contemporary Art Detroit.
We spoke with workers at the International Documentary Association about their successful fight for a union.
Film programmer Inney Prakash talks to Hyperallergic about what it takes to start a new film festival solo during a pandemic.
Hyperallergic talks to director Sierra Pettengill about her documentary Riotsville, USA, which finds the roots of modern policing techniques in the 1960s
The founders of Museum Crisis Center discuss what they are doing to help museum staff and save Ukraine’s cultural heritage.