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An Unknown Chapter at America’s Bauhaus

In the summer of 1952, artist Jack Tworkov traveled to Black Mountain College in Asheville, North Carolina. A leading figure of the New York School, his time at the influential American school, which some people consider “America’s Bauhaus,” is the subject of a new exhibition. We talked to the curator, Jason Andrew.

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Robert J. Lang On Origami, Sarah Morris Lawsuit

I had the opportunity, to interview Robert J Lang, the origami artist who, along with several others, has filed a lawsuit against painter Sarah Morris who, they say, infringed on their copyrights when she produced 24 of her Origami series of paintings based on crease patterns.

In the following article, we explore Lang’s art, the many forms and practices of origami artists now and in the past, and the diversity of its uses. The article is followed by an interview with Lang in which he addresses, among other things, his lawsuit against Sarah Morris.

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A Monument for Transition

There is something beautiful and haunting about Wouter Klein Velderman’s monument in Moengo, Suriname, which is a South American nation that never seems to be in the headlines and 99% of people outside the country probably couldn’t even place it on a map. In his photos, the giant sculpture, titled “A Monument to Transition” (2011), appears to be bathed by a magical light and strangely feels a part of the landscape, even though it is obviously manmade.

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The Post-Postmodern Artist

Yasmeen M. Siddiqui is an itinerant curator and critic currently based in Louisville, Kentucky. Last year, she curated Do Ho Suh’s A Perfect Home: The Bridge Project at the Storefront for Art and Architecture in Soho and this year she returns to New York for a new project at the Americas Society featuring a mini-retrospective of Miami-based Cuban artist Consuelo Castañeda.

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A Novel Through the Eyes of Van Gogh’s Doctor

Written from the perspective of Dr. Gachet, Vincent van Gogh’s physician, Carol Wallace’s Leaving Van Gogh is the fictional story of the famous painter’s final months in the French town of Auvers. Based on 902 letters exchanged between Van Gogh and his family and friends, the novel paints the picture of a brilliant but tormented artist who alternates between captivating and scaring those closest to him. About to embark on the book tour, Wallace took the time to share her thoughts on Vincent van Gogh, mental illness and the joy of writing about painting.

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Julia K Gleich on Bushwick’s New Collaborative Ballet

Last night, In the Use of Others for the Change premiered at the Center for Performance Research in Brooklyn. Choreographed by Julia K. Gleich, the new ballet featured collaborations with some familiar faces on the Bushwick art scene, including Audra Wolowiec, Austin Thomas, Kevin Regan and Andrew Hurst. I spoke to Gleich today about the show, its challenges, its surprises and the differences between New York and London when it comes to contemporary ballet.

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Interview with Tipi Artist Bently Spang

The following is an interview with artist Bently Spang, whose work appears in the Brooklyn Museum’s current Tipi: Heritage of the Great Plains exhibit. Through the interview, Spang explores ideas of Native American identity, cultural stereotypes and the difficulty of showing Native American spiritual objects in museum spaces. The Brooklyn Museum show makes progress, Spang says, but there remain problems to be solved.

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Sculpture Today: A Discussion with Joy Curtis & Rachel Beach

On Wednesday, I wrote about two painting shows (Kristine Moran & Gianna Commito) that I felt shared an aesthetic connection. Today, I wanted to draw your attention to two sculpture shows on Ludlow Street by two artists who I’ve been following for years, Joy Curtis and Rachel Beach. Both artists make sculpture and their shows made me wonder what it must be like to be a sculptor today. I decided to interview them together via email in order to understand their work through their words. The following conversation took place this week.