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Census Art: Anita Glesta Reflects on the History of Counting

In 2004, Brooklyn-based artist Anita Glesta was commissioned by the General Services Administration’s Art in Architecture Program to create a permanent seven-acre landscape intervention for the Census Bureau Headquarters Building in Suitland, Maryland. Six year in the making, on July 12 Glesta will inaugurate her artistic meditation on the idea of counting and numeric order with a global perspective.

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Momo At Home: Making the Public Private

New York street artist Momo’s latest project took place in the unlikely town of Key West in the Florida Keys. The veteran street paster decided to work with locals on a one-to-one basis and create art works that would be integrated into their lives and bring what was normally a public piece of art into a very private domain, the home. Key West’s The Citizen newspaper described the project as “art for the masses.”

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Same Show, Different Channel: An Interview with Tyler Green of Modern Art Notes

On Tuesday, Tyler Green announced that he was leaving his 8 1/2 year stint at ArtsJournal for the mainstream art media world of Louise Blouin Media’s ARTINFO and Modern Painters. The news came as a surprise to many who view Green’s online voice as a cornerstone of the indy art blogosphere. Yet the veteran art blogger — though he dislikes the label — doesn’t expect to change what he already does. The following is the first interview with Green since the big news came out.

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The Center of Art: A Conversation with Critic & Curator Karen Wilkin

She’s one of New York’s old skool art critics and has penned books on everyone from David Smith to Edward Gorey. An authority on 20th C. modernism, Karen Wilkin agreed to talk to Hyperallergic about her experience as a longtime observer of the art world and in the process she spoke about an art world “afraid of missing out on something,” and she offers some advice to aspiring critics.

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Jack Tworkov’s Contribution to the New York School: An Interview with Jason Andrew

Jason Andrew is the curator and archivist for the Estate of Jack Tworkov and was the mastermind behind the recent retrospective of Jack Tworkov’s work. A prominent figure in the Bushwick art scene, Jason Andrew is also the founding director of Norte Maar, which encourages, promotes, and supports collaborations in the arts.

Artist and writer Sharon Butler corresponded with Andrew about Jack Tworkov’s contribution to New York’s art scene in the 1940s, 50s and 60s.