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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Emily H. Tremaine Journalism Fellowship for Curators

Posted inArt

RIP Adobe Flash: Five Takeaways About the Plug-in’s Legacy in Net Art

by Rea McNamara December 18, 2020November 1, 2021

Adobe Flash has the reached the end of its life. Artists and digital archivists share thoughts regarding its demise and what open source tools are accessible to archive old Flash-based works.

Posted inPerformance

The Pitfalls of Hosting a Virtual Cabaret

by Rea McNamara December 14, 2020November 1, 2021

HaRaKa Platform’s Cairo KitKat Club pales in comparison to virtual performances mounted with only a fraction of the institutional support.”

Posted inArt

One London Art Center Has Ideas For Navigating the Digital Shift (Some More Useful Than Others)

by Rea McNamara December 8, 2020November 1, 2021

Serpentine Galleries’ “Future Art Ecosystems” emerges as an odd but occasionally insightful case study of the impact of the broader institutional shift to the digital realm.

Posted inNews

A New Feminist Art Collective Raises Awareness for the Labor of Motherhood

by Rea McNamara November 25, 2020November 1, 2021

44.4 Mothers/Artists Collective is making space in Ottawa and the Outaouais region for artists who are mothers, who have been habitually overlooked in the art world.

Posted inArt

Hito Steyerl Brings Us Late Night Public Access Weirdness

by Rea McNamara November 24, 2020November 1, 2021

4 Nights at the Museum, a “weird-ass visual podcast,” is a good example of responsive curating amid the pandemic.

Posted inArt

Eight Digital Exhibition Spaces for the Second-wave Lockdown

by Rea McNamara November 13, 2020November 1, 2021

Eight on- and offline exhibition spaces for the second-wave lockdown.

Posted inArt

Buttons, Badges, and Delegate Hats: How Election Memorabilia Reflect the Democratic Process

by Rea McNamara November 2, 2020November 1, 2021

In anticipation of an unusual election night and beyond, curators Lisa Kathleen Graddy, Claire Jerry and Jon Grinspan discuss their new (slower) practice of collecting political ephemera.

Lavish Bat, in black veil, stands next to reeraw, wearing an angular wig and colourful paper dress accessorized with a glowstick.
Posted inArt

How Celebrity Fandom Inspires Digital Feminist Curatorial Practice

by Rea McNamara October 30, 2020November 1, 2021

Rea McNamara, the new Emily H. Tremaine Journalism Fellow for Curators, offers insight into the evolving world of curated online feminist spaces and what role they do and can play in our culture.

Posted inArt

Diary Entries From a Feminist Curator’s Encounters With Picasso

by Laura Raicovich September 19, 2019September 23, 2019

A steadfast feminist in a male-dominated art world, Joanna Drew was among a handful of individuals who shaped contemporary visual art in Great Britain post-World War II.

Posted inArt

The Most Downloaded Artworks From the Getty and Met Museum

by Laura Raicovich September 16, 2019September 16, 2019

Both the J. Paul Getty Trust and the Metropolitan Museum of Art have created online databases that bring thousands of artworks to screens across the globe. Here’s what most folks download.

Posted inBooks

A Former Museum of Modern Art Director’s Meticulous Eye for Detail

by Laura Raicovich September 9, 2019September 9, 2019

As a non-specialist Rene d’Harnoncourt had a rare ability to engage deeply with objects across time, cultural specificity, and form.

Posted inArt

How to Curate a Yearlong, Three-Part Exhibition

by Laura Raicovich September 6, 2019September 6, 2019

Curators Jaishri Abichandani and Natasha Becker unpack Perilous Bodies, Radical Love, and the upcoming Utopian Imagination exhibitions — three exhibitions that formed one series for the Ford Foundation Gallery’s inaugural year.

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