With “sensitive to art and its discontents” written into the blogazine’s sub-header, Hyperallergic is no strange to contemporary art controversy, but we decided to ask 11 New York-based artists, critics and curators what they considers the most important and urgent controversy in visual art at the moment.
Drawn by an over-900 people attending Facebook events page and a plug on GAYLETTER two months ago, I wandered into the opening of
I really don’t know what happened to Wynwood Walls, but this year’s event was a major let down after last year’s fun-filled festivities. If last year’s evening bash was an unexpected mix of murals, Sissy Bounce, and bold-faced art names, all organized by Jeffrey Deitch, the current director of LA’s Museum of Contemporary Art, this year’s event is reputedly the work of Deitch’s “ghost” dealer, Kathy Grayson, whose The Hole Gallery has been trying to fill the gap left by Deitch. This was opening night and it felt like a casual block party. Maybe it was the new restaurant that sits on the corner of the property that reigned in the freak antics, but the energy was unfortunately more subdued than I expected.