Inherent in the show Outliers and American Vanguard Art is a kind of subtle hierarchy among artists, even if the curator has tried to delimit its force.
The Los Angeles County Museum of Art’s own Christine Y. Kim and Rita Gonzalez are co-curators at this year’s Gwangju Biennale, Asia’s oldest contemporary art biennial.
This year Los Angeles showcased especially diverse and robust exhibitions, thanks in part to an enormous initiative around Latin American and Latino art.
This year, the Getty initiative known as Pacific Standard Time has focused on the very broad categories of Latino and Latin American art. How we talk about these categories matters.
The letter, received some two years ago by curator of Latin American art at LACMA, was penned in an odd, first-person style, speaking as the painting itself.
Naufus Ramírez-Figueroa features five LA-based performers wearing costumes deigned by the artist and continues a tradition of theatrical resistance.
Alejandro González Iñárritu’s immersive triptych at LACMA offers visitors the opportunity to experience the treacherous journey across the border between the US and Mexico.
Through a combination of light and sound, for a few moments at least, the work can strip you of all the typical assurances of selfhood.
LOS ANGELES — From a show of ancient Greek bronzes at the J. Paul Getty Museum to Rafa Esparza’s adobe brick constructions at Los Angeles Contemporary Exhibitions (LACE), Los Angeles was overflowing with dynamic exhibitions this year that introduced new talents and reconsidered the old.