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Posted inArt

Matthew Day Jackson: Too Big, Too Failed

Matthew Day Jackson’s Something Ancient, Something New, Something Stolen, Something Blue presents, as its very title suggests, a confused medley of disconnected work. If in time the exhibition isn’t simply forgotten, it will surely serve to demonstrate the ills of over-production, and the hubris of New York’s cavernous mega galleries.

Posted inArt

Are Artists the Best Curators?

The most galvanizing room, hands down, in the current Whitney Biennial is the Forrest Bess micro-retrospective put together by sculptor Robert Gober. And on Tuesday, in what could be a trend, another museum-quality exhibition opened, organized by another sculptor — Matthew Day Jackson’s “Science on the back end” at Hauser & Wirth.