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Posted inArt

Some Follow-up Thoughts on Michael Mazur (1935–2009)

In the catalogue accompanying the exhibition, Looking East: Brice Marden, Michael Mazur, Pat Steir, at the Boston University Art Gallery, John Stromberg opens his essay, “Michael Mazur: A Delicate Balance” with this sentence: “Michael Mazur’s path to his recent paintings based on Chinese art has been less than linear.” Couldn’t this observation have also been made about Marden and Steir?

Posted inArt

Can I Be a Witness?

I have been thinking about the difficulty of characterizing Michael Mazur in part because, while he became highly celebrated as a printmaker, his paintings have never received nearly the same attention. Once a label is attached, it takes years to remove it.