Anonymous anti-Barclays street art appears at the newly coined Atlantic Avenue-Barclays Center subway stop in Brooklyn.
Lucky Peach debut issue (mcsweeneys.net/luckypeach) It only takes one look at the cover of the debut issue of Lucky Peach to realize that this isn’t your typical food ‘zine. No glossy photo of an impeccably styled dish here; instead, there’s a dead chicken being held unceremoniously upside down by its feet, its pale, thin, pocky […]
Ever wondered what New York City looks like through the eyes of a great artist? In a newly opened exhibition at Asia Society, viewers get the chance to see how recently released Chinese artist Ai Weiwei saw New York City in a series of diaristic photos taken between 1983 and 1993.
Section 2 of the High Line, an elevated railway running down Manhattan’s Tenth Avenue renovated by architectural firm Diller Scofidio + Renfro that has quickly become an urban design icon, opens to the public today. But visitors to the park yesterday were greeted with a soft-opening preview, complete with popsicle vendors, public art projects and plenty of opportunities to lounge in the grass. The new section may not cause as much stir as the launch of the first, but the 10-block stretch from 20th to 30th street is full of subtle surprises, from flyover walkways to hidden forests.
When I caught performance artist Man Bartlett around 4:30 pm EST yesterday, he had been in New York City’s Port Authority Bus Terminal for 23 and a half hours straight. Beginning on Wednesday, May 25 at 5 pm and continuing through 5 pm on May 26, the “#24hPort” performance saw the artist occupy both virtual and physical space, wandering through Port Authority and asking visitors where they were going, at the same time tweeting about the experience and asking Twitter participants about their memories of where they had been.
You know what the weather’s been like in NYC this week: clouds, rain, more clouds, more rain. Sucks, but photographer and writer Madeleine DiGangi finds inspiration in the wet weather. Her photos show the flip side of urban architecture — buildings reflected in the city’s puddles pooling on streets and sidewalks.
On this past Friday May 20, Cuban artist Geandy Pavon did a guerrilla projection protest for Ai Weiwei. In this work, called “Nemesis Ai Weiwei: The Elusiveness of Being”, Pavon projected Ai’s face onto the blank street-side facade of the New York City Chinese Consulate. Click through for video documentation of the project.
Though it faces a budget crisis and problems with a misdirected leadership, New York City’s South Street Seaport Museum will remain intact and its working tall ships will stay moored in New York City Harbor rather than sent away for storage. Under a new plan, the museum’s president and board of directors will be replaced and land sold to the city to raise funds.