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Posted inOpinion

The Mesmerizing Duality of Mugshots vs. Facebook Profile Pics

We live in a world shaped by the proliferation not just of social media, but also of surveillance. Sometimes it seems as if we’re constantly presenting and re-presenting ourselves, selfies upon selfies, in an effort to counteract the official narratives imposed by others. It’s telling that the nonstop images flooding our eyes everyday generally fall into two categories: sponsored, advertised, sanctioned by some larger corporate or government (or both, since the two are ever more inseparable) body; and self-made/amateur.

This tension is at the heart of a tumblelog that’s fascinated me ever since I saw it mentioned on the Slog a few weeks ago: In Duplo.

Posted inArt

When Outsiders Feel More Familiar than the Mainstream

America is a country of immigrants, and the perspective of foreigners, newcomers and outsiders has always played a large a role in the history of contemporary American photography. Immigrants often have a way of showing us that which we cannot see for ourselves. In keeping with the tradition of outsiders looking in on our culture, a small exhibition on the first floor of the International Center of Photography, titled Perspectives 2012, showcases the work of three non-American photographers — Chien-Chi Chang, Anna Shteynshleyger and Greg Girard — who all focus their cameras on different facets of American life.