Garner has been an absurdist for four decades, satirizing consumerism, marketing, and waste in performance art, videos, sculpture, installations, drawings and magazine editorials and art pages.
There’s so much good stuff happening this week, it’s almost hard to keep track. Among our picks are two intriguing performances by three up-and-coming LA artists, two shows devoted to 20th-century artist pioneers, and a discussion of art and political activism. And don’t forget about Halloween — we suggest you celebrate with a demonic show at the Huntington.
With the permanent invasion of art fairs into the art world economy like a plague, most galleries, no matter how cutting-edge or avant-garde, seem to believe (whether from actual or perceived necessity) that they must participate in all of the increasingly frequent art fair seasons. This endless stream of fairs forces smaller galleries that show conceptual, abstract, or experimental work into a setting devoid of context, stripping the art of its desired impact or importance. While I’m certainly not the first to point this out, nowhere was it more noticeable recently than at NADA New York.