Thanks to the efforts of organizations such as Primary Flight and Wynwood Walls, the Wynwood district in Miami is undergoing a radical transformation through art.
Last night’s opening of art by the LA graffiti artist Retna was more of a fashion event than an art show. Bizarrely titled The Hallelujah World Tour, the artist’s all-over calligraphic style was ill served by poor curatorial decisions like a dense hanging that reduced the lines to visual wallpaper for a posing group filled with mad-hatter-wannabes and fashionistas.
Last Thursday January 13, there was a panel discussion at LA’s Fowler Museum titled “How Does Street Art Humanize Cities?” Organized with Zócalo, the event featured curators, artists, and reporters, most of whom were associated in some way with the LA MOCA’s upcoming street art exhibition, yet to everyone’s surprise the topic of the Blu mural whitewash wasn’t even discussed. But that’s not to say it didn’t come up in other ways. A new protest group, LA Raw, handed out condoms branded with MOCA director Jeffrey Deitch’s name on them to remind those in attendance that the erasure of artist Blu’s mural is not forgotten. One source told us that he estimates 80% of the audience to the Fowler event received one of the protest condoms as they walked in and additional condoms were placed around the venue.