All the Beauty and the Bloodshed forcefully posits multiple parallels between the world Nan Goldin grew up in and the one she fights in today.
There is the singular artist and then there is the more exclusive club that has only one member. Harvey belongs to the latter.
Astrid Dick was told that she could not paint stripes because Sean Scully and Frank Stella have done so before her, a patently foolish statement.
At the heart of What if the Matriarchy Was Here All Along? is the idea that matriarchy never really died but rather has transformed.
Ghenie’s paintings of Marilyn Monroe are a relentless representation of a howling, turbulent tragedy, a face broken into crude sideways slewings and gougings and gorgings of paint.
Suzanne Jackson’s paintings come to life, and find their way home, at the Arts Club of Chicago.
A group exhibition at the Americas Society investigates ideas of paradise, approaching the Caribbean region as a product of the visitor economy regime.
Contemporary society in the United States normalizes the idea of the exhausted mother, so why wouldn’t mother nature be equally exhausted?
The pleasure of Siena’s art arises from the tension between the overall image or the changing visual field and the individual units.
Speaking and singing in Korean with English subtitles, the cast leans on the traditional Korean folk storytelling tradition of pansori, and more modern musical accompaniment.
For those up for seriously weird, naughty “cyberdyke” mayhem, this movie will likely disturb and delight.t.
Though not well known outside of Japan, Tsuchimoto honed an observational style of filmmaking similar to the cinema verité movement in the US and Europe, but years earlier.