A foremother to young new media artists working today, Hershman Leeson has blazed a trail for more than five decades.
Immersive and vast, the exhibition showcases the breadth and depth of the city’s rich comics history.
Director Malgorzata Szumowska uses fantasy to satirize the lives of the affluent in Poland’s official Oscar submission.
Portals to the otherworldly, Lawson’s grand-scale photographs reveal the divine in the secular.
Crackling with against-the-grain analysis, Heather Cass White’s latest book argues for an approach rooted in pleasure rather than the performance of knowledge.
Pylypchuk’s art has always been deeply engaged with the most painful parts of life, those that human beings tend to push aside or deny in order to get by.
Yuri Yuan’s sense of isolation is an inescapable feature of her daily life, which she simultaneously examines and holds at bay through the act of painting.
A persistent feature of Paul Graham’s photographs in Beyond Caring is the way they describe the act of waiting as a common, and alienating, condition of Britain’s welfare system.
Not all of the scenes Dianna Settles paints are pleasant, but that seems to be the point: for better or worse, we are undeniably yoked in our collective experience of being human.
Taylor’s paintings emphasize that golf and horse racing, though once exclusively activities for privileged white men, depended on the support of men who were almost invariably Black.
Beauty remains an uncomfortable territory for many contemporary artists, which makes the boldness of Sarah Ann Weber’s aesthetics all the more compelling.
Johnson’s winding works prompt as many questions as they provide answers, percolating with repetition, address, and alternates.