In The Trials of the Golden Rat, Patrick Duegaw recasts Hercule’s feats as the troubling behavior of a powerful man, reframing his targets through the guise of powerful women standing up for themselves.
Tag: Reviews
In a New Book About Unions and Financial Capitalism, Lessons for the Arts
“Unions Renewed” explores the changing role of organized labor under financial capitalism. It maps meaningfully onto the arts.
An Exquisite Tribute to Terry Adkins, Maker of Monumental Sonic Sculptures
Reverberating through the Pulitzer’s iconic building, Adkins’s works carry the potential of sound, and remain alluring even in silence.
The Living Legacy of the Kamoinge Workshop, a Force in Black Photography
The influential collective created a rigorous yet non-hierarchical sphere of influence, which challenges the very tidiness of retrospectives like Working Together.
The Delightfully Debased Art of Nicole Eisenman and Keith Boadwee
Contrary to the laconic distance experienced among Eisenman’s works, Boadwee’s radiates a frenetic energy that stimulates the senses.
Ishmael Reed Picks Hamilton Apart, Bit by Revisionist Bit
The Haunting of Lin-Manuel Miranda deconstructs the Broadway play’s abolitionist portrayal of the founding father with incisive, impeccably-researched satire.
Antibodies and Oppositions: Artwork That Addresses Our New Normal
At the Palais de Tokyo, mounting an exhibition loosely about infection, during a pandemic, presents its challenges.
A Modern Update to the “Gentleman Thief” Genre
Starring Omar Sy, the French Netflix series Lupin is a delightful crime thriller.
25 Years of Pixar’s Vibrant, Emotional Color Palettes
Revised and expanded, The Art of Pixar gathers color scripts from the studio’s short and feature films, mapping out the emotional beats of each story in lush hues.
An Expansive View of Asian Identity at the Asia Society Triennial
Though it occasionally stumbles, the first iteration of We Do Not Dream Alone signals a promising commitment to prolonged investment in art from the Asian diaspora in New York.
Danny Lyon’s Visions of a New York That No Longer Exists
Shot in 1967, Lyon’s photographs offer a more nuanced and human perspective of the destruction of the old lower Manhattan, one that is often paved over by history books.
Martine Syms’s New Book Is an Irreverent Performance of Contemporary Living
In Shame Space, the narrator obsesses over sex, money, fitness, drugs, friends, work, and self-hatred.