The geometric construction inhabits Devotion Gallery is the focus and product of a project/performance by musician and multimedia artist Morgan Packard titled Dihedral Product. The work is a crowd-sourced sculpture that evolves according to the donated manpower and creativity of gallery visitors.
This past June, artist and curator Aimee Lusty took over as Booklyn’s gallery director. Lusty proposed a program that promotes artists primarily working in print: each show she curated would include print artists showing fine art work, and each show would result in a zine catalogue with contributions and samples from every artist (a concept us at Hyperallergic are familiar with). Hunter/Gatherer, Booklyn’s most recent exhibit, features artists Evan Roberts, Jason Kachadourian, Jessica Williams, Jon Bocksel and Scott Meyers.
Drawn by an over-900 people attending Facebook events page and a plug on GAYLETTER two months ago, I wandered into the opening of 🙂 by FriendsWithYou at The Hole and left feeling a mixture of what Dr. Hunter S. Thompson described as “fear and loathing.” Now, a few days before the exhibition’s closing, I revisited 🙂 to see if my opinion of the art would change without the unseasonable near 100 degree heat, crowded gallery and drunkenness. It didn’t.
A Hedonist’s Guide to Art may as well be called A Hedonist’s Guide to the Art World. Released last winter, the book is a collaboration between Artica, an eGallery for contemporary art, and Hg2, a series of luxury travel guides. It’s comprised of short essays from about 60 people from various reaches of the upper echelons of the London art world. The essays are divided between five chapter headings — ideas, lifestyle, the market, the art itself and “inner workings.” The content is most often in the form of a personal anecdote. That said, these tidbits are best nibbled on in small doses — it’s slow-going to read very many of these essays all at once.
The author Penelope Przekop’s second novel, Centerpieces, is a novel that bravely tries to be a historical fiction about Van Gogh, art and the creative drive, but instead turns out to be a twisted narrative that describes a stifling world of corporate ladder-climbing.
With the exhibition Pretty on the Inside, co-curators KAWS and Erik Parker reveal that they must be fans of the Courtney Love-led band Hole’s debut album and song for which it is named, but they also make us wonder about the show’s connection to the music.
Lost in a Metro-North commuter train daze, I watched the Wassaic Project pass by the train window without recognizing it. But the giant slingshot and makeshift teepees that decorated the lush green grass next to a towering grain elevator hinted that artists and their ilk may be nearby. Inside, I would find works by Eric Fischl, Agnes Martin, Gary Hume, Richard Prince, Dieter Roth, Rebecca Horn, Gerhard Richter and Imi Knoebel … among others.
City Hall Park is an excellent venue for Sol Lewitt’s sculptures. In the white cube, the problem is that the artist’s three dimensional structures can blend in precariously well with the similarly minimal geometric space, camouflaging their distinctiveness from the viewer. It is good to see Lewitt’s work contrasted with the park’s lush greens and lavish beaux arts architecture. In this context, his works appear like precious and unique islands of understatement.
While exploring the New York Academy of Art’s 5th Annual Summer Exhibition at Flowers, all I could think about was one person: director David Lynch. Not only because I am a fan of the master of the surreal psychological horror, but many of the works in the exhibition featured a similar eerie atmosphere that pervades Lynch’s films and it wasn’t just the disproportionate amount of works with rabbits.
The mercury in your thermometer can easily climb to 100+ degrees during these dog days of summer in north Brooklyn’s Bushwick neighborhood. The concrete streets are helplessly desolate and even the Bushwick pigeons seem to have given up. Bushwick has been quieter lately, and the local art scene might have been hiding in the close proximity of blasting air conditioners most of the time, but even with all these factor you can definitively say that it certainly is not dead. In fact, several prominent Bushwick galleries and art spaces opted out of the summer break and have been serving up refreshing art options.
Williamsburg artist Joshua Abelow makes some pretty cool work. When he’s not in the studio he’s working on his website Art Blog Art Blog. Most of us now spend a great deal of our lives online, so its no surprise that the artistic process has begun to bleed over from the studio into the web.
James Cohan Gallery’s most recent show Catch the Moon in the Water is an unexpected and thought provoking riff on the summer group show. The exhibition reflects on the work of young Chinese artists. The show’s title refers to the impossibility of capturing the moon from its reflection.