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Politics of Space and Belonging and the Right of Return

IRVINE, California – There is a call for Jews to return to Poland — and it’s coming out of Irvine. Well, actually it’s coming from Israeli artist Yael Bartana, whose trilogy … and Europe Will Be Stunned, which occupied the Polish pavilion at the Venice Biennale this year, is currently having its American debut at the University Art Gallery at UC Irvine. The videos present the Jewish Renaissance Movement in Poland (JRMiP), which calls for the return of Jews to Poland to reconstitute the country as it was and make it whole again.

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Assessing a Small Show of a Feminist Icon

CHICAGO — In a darkened gallery in the Art Institute of Chicago, a grainy video from decades ago begins. Standing with her face pressed up against a white wall, a woman reaches down and scoops up a handful of red, viscous liquid — presumably blood — from an enamel tray, and in a series of arcing gestures she traces a crude outline of a doorway, or a cave entrance, or maybe just the close demarcation of her own small body, around herself onto the wall.

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Monastic, Psychedelic and Party Time

Mark Warren Jacques’s paintings are equal parts pop and mysticism; they linger between the monastic the psychedelic and party time. A Portland-based artist, his works assert themselves with a clearly defined West Coast swagger. They beam light straight into your head, they knock you down with colorful brilliance only to offer you a leg up and a wholehearted wink.

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A Print-based Resistance Movement

One of the most difficult things to evoke in an art show is a snapshot of a culture. On the other hand, when I write about zines, I find it difficult to separate the object itself from the ephemeral culture that surrounds it. In Samizdat: The Czech Art of Resistance, 1968-1989, curator Daniela Sneppova brings American viewers in to the heart of a print-based resistance.

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The Many Comic Faces of Tibet

Something about Tibet has always seemed very mysterious to the West. Maybe it’s the terrain of the towering Himalayas possibly inhabited by savage yetis, the legends of the heavenly Shangri-La, or the ancient traditions of Tibetan Buddhism embodied by the reincarnated Dalai Lama. All of these impressions, founded on fact or not, have naturally made for great comic book fodder, where the exotic and mystical image of Tibet fits in perfectly with superheroes and mad villains. The Rubin Museum of Art’s Hero, Villain, Yeti: Tibet in Comics is now presenting over 50 comics related to Tibet dating back to the 1940s.

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Fiercely Independent Abstraction for Idiots

Janet Kurnatowski has run her gallery out of the ground floor of 205 Norman Ave. for the last seven years. There is something both welcoming and powerful about her modest space. The finished plywood and low ceiling are a welcome environment; a spacious hobbit hole for art. The owner’s earthy dedication to her craft seems to radiate throughout the space. The current exhibition Idiot’s Delight was curated by Craig Olson, one of the gallery’s artists. The exhibition is a love poem of sorts, an ode to those who spend their days in the studio. Old skool Brooklyn artists like Jim Clark and Chris Martin hang their work proudly next to young up-and-comers like Elisa Soliven. The resulting installation is less about a unified aesthetic than a kind of rugged independence.