Aldrich brings a rich sense of materiality to a practice founded on the gap between images and language.
Richard Aldrich
Posted inArt
Reviewing the Responses to MoMA’s Divisive Painting Survey
As news of art fairs and Bjork took the spotlight earlier this month, I lingered on the Museum of Modern Art’s The Forever Now: Contemporary Painting in an Atemporal World, up through early April.
Posted inArt
The Death of Painting: All-New, 2014 Edition
The Forever Now: Contemporary Painting in an Atemporal World, the new exhibition at the Museum of Modern Art, prompted thoughts of Elizabeth Kübler-Ross’s five stages of grief: denial, anger, bargaining, depression and acceptance, though I’m not sure how much acceptance there is in the end.