LOS ANGELES — The biggest selfie news of the past week comes from drones, which have spawned a new selfie category: the dronie.
There aren’t as many outskirts to Bushwick Open Studios as there once were. The 2013 edition was brimming even at the very edges of designated “Bushwick,” which really oozes over into the adjacent East Williamsburg and Ridgewood, though it seems steadfast in not stepping over the Broadway line to Bed-Stuy. It was in this area just north of the Broadway border that I set out to explore this past weekend, and where even if it’s only getting more developed, it’s still anchored by some more offbeat places to see and create art. A 48-foot tractor trailer, for one.
It was a beautiful day last Saturday and I took the opportunity to wander the post-industrial warehouses of north Brooklyn with the mission to explore the studios taking part in the 2010 Greenpoint Open Studios. During my afternoon of wandering I only managed to visit 30% of the studios but I, nonetheless, saw a great range of work that gave me a feel for the area — painters appear to dominate the artistic life of this corner of Brooklyn.
While I came eager to see new work by new names, I also encountered some established figures, and I even came across a large white work by artist Joe Bradley leaned up against a wall — the work was on its way to the New Jersey Museum of Contemporary Art (NJMoCA) in Asbury Park, New Jersey, which is slated to open this month. During my visit to one sculptor’s studio, Stacy Fisher, I was told that recently the world-renowned playwright Edward Albee — of “Who’s Afraid of Virginia Woolf?” fame — showed up a few weeks earlier to buy one of her Hydrocal, wood, hardware and latex paint sculptures … a sign of things to come for this neighborhood with infamously bad public transportation options?