Most reviews of Saloua Choucair’s work are still confined to some superficial observations on her paintings, and her sculptures are nowhere yet offered any serious treatment.
It didn’t. I lied. I’m sorry. But I did like these things at the Art Dealers Association of America’s (ADAA) art fair.
LONDON — In a time of acute upheaval, there is something comforting about the concurrent retrospectives currently on view at the Tate Modern for two seminal Arab modernists, Saloua Raouda Choucair and Ibrahim El-Salahi.