Liveblogging performance art is a little like tweeting a dentist appointment. You go in with some anxiety about the experience, and in the case of the former, you wonder how you will be able to capture all of what you are experiencing but also remain in the moment and engaged even though your mind can wander, distracted by noises, conversations, your own thoughts, and interruptions. When you’re liveblogging you can’t look away, not even if the performer cuts their hand (happened last time and she needed 20 stitches), or pulls out a hypodermic to inject some clear liquid into their cheek (happened this time, thanks Zhennesse). It is an imperfect thing, liveblogging, but I will say it is an exhilarating way to experience performance art.
Come out this Friday and Saturday night — 7pm to 12am each night — for the Maximum Perception Performance Festival at the English Kills Art Gallery in Bushwick, Brooklyn
Curated by Peter Dobill and Phoenix Lights, the 2011 Maximum Perception Festival will take place over two nights and showcase 17 national and international performance artists, focusing on presenting a dynamic range of contemporary performance practice from the best emerging artists in performance. Hyperallergic is a media sponsor of Maximum Perception and will be there both nights to liveblog the performances.
Three must-see shows this weekend in SF: Parker Koo Ito’s RGB Forever show at Adobe Books Backroom Gallery; the AVATAR 4D group show at NOMA Gallery; and Rich Bott’s STILL AT LARGE STOP LAST SEEN AT MIRA MESA CHILIS STOP at 2nd Floor Projects.
Some thoughts about last night’s liveblogging experiment at English Kills art gallery and high quality photos from each of the performances.