Sarah Palmer melds a formal device of trompe l’oeil with her content, which largely relates to the objectification of women and how women choose to present or stage themselves.
Sarah Palmer melds a formal device of trompe l’oeil with her content, which largely relates to the objectification of women and how women choose to present or stage themselves.
A founding member of Turkish contemporary art space SALT, Demir brings to NYUAD her training in non-Western modernism and commitment to global contemporary art and cultural production.