The High Line’s Mutations exhibition features motion-capture cameras for birds, audio of the Great Pacific Garbage Patch, and other uncanny interventions in the elevated park.
Sascha Braunig
Posted inArt
A Painter on the Entangled Relationship Between Figure and Frame
“I’m trying to make explicit the questions I ask myself: Can the figure bossily occupy the restraining space of the canvas?”
Posted inArt
The New Museum’s Triennial Surrounds the Audience with Too Much Art
The New Museum’s third triennial, Surround Audience, is not nearly as immersive as its title suggests, and it sabotages many of the most conventional two-dimensional and sculptural works on view.