I met Simon Gouverneur in the late 1980s, when I gave a lecture at the Maryland Institute College of Art. Something that I talked about that afternoon prompted him to introduce himself — I am guessing it was Wifredo Lam. We sat in a drab conference room. For the rest of the afternoon, before I caught a train back to New York, he and I wandered through dangerous territory, which was the problematic relationship between art and race. He was happy to speak to someone who was sympathetic to his quarrel with multiculturalism, and its ideas of essentialism and who shared his interest in visionary art and painters such as Piet Mondrian and Alfred Jensen.